Gordon Matta-Clark Movies

Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse...

This space and texture work, created specifically for video, is a tour of the skyline and domestic interiors of New York's Chinatown.

In this film of one of his most daring performances, Matta-Clark climbed to the top of the Clocktower in New York and washed, shaved and brushed his...

“I met Gordon Matta-Clark at the 1975 Paris Biennale. He was looking for a place to make a piece. I led him to a building across the street...

For the exhibition Twenty-Six by Twenty Six at the Vassar College of Art Gallery in Poughkeepsie, New York, Matta-Clark created a performance...

Matta-Clark made a video of his friends having a sauna; he later cut a section of the sauna to reveal the structure of the wall.

Matta-Clark was invited to create Conical Intersect for the Paris Biennale in 1975. For this piece, he cut a giant conical shape into two adjacent...

In this film Matta-Clark explores underground Paris. The artist shows the complexity of underground spaces with scenes of architectural ruins, car...

In 1976 Matta-Clark left for Berlin claiming that he intended to blow-up the Berlin Wall as his contribution to the New York–Downtown...

Matta-Clark made a cut in a five-story commercial building located in front of the Steen, a tourist spot in Antwerp. (On Matta-Clark's death shortly...

In 1971 Matta-Clark produced works for the exhibition Brooklyn Bridge Event. This film records his process of making a sculpture - a small wall made...

In May 1972, Matta-Clark installed an industrial waste container between 98 and 112 Greene Street in New York?s SoHo district. He collected discarded...

This film documents the legendary SoHo restaurant and artists' cooperative Food, which opened in 1971. Owned and operated by Caroline Goodden, Food...

For his 'Splitting' project, Matta-Clark found a house in Englewood, NJ (322 Humphrey Street to be precise) set for demolition, and bisected it...

This film records the complete process of the destruction of Matta-Clark's truck (which he called "Herman Meydag") by a bulldozer in a rubbish dump....

In August 1974 Matta-Clark carried out a ‘cutting’ in a house at Niagara Falls, New York. The artist divided the north façade into...

For City Slivers, which was made with a camera borrowed from Robert Rauschenberg, Matta-Clark affixed vertical matte strips in front of an...

Automation House 1972, 32 min, b&w, sound, 16 mm film on video This tape is an exercise in spatial perception, using mirror reflections of...

In this film, Matta-Clark explored and documented the underground spaces of New York City. The artist chose a range of sites (New York Central...

In May 1972, Matta-Clark worked on an abandoned pier in New York for two months, where he cut sections of the door, floor, and roof. Camera: Betsy...